: How Architect Shaun Killa Is Designing a More Sustainable Dubai #WorldNEWS The shimmering torus-shaped Museum of the Future in Dubai is covered in Arabic calligraphy and is supported not by the traditional
How Architect Shaun Killa Is Designing a More Sustainable Dubai #WorldNEWS
The shimmering torus-shaped Museum of the Future in Dubai is covered in Arabic calligraphy and is supported not by the traditional columns but by a steel diagrid, with a facade of 1,024 steel panels. The aviation industry provided inspiration for the technology needed to create the exterior that was developed using learning algorithms. “All the parameters structurally were put into a program, and eventually it learned to create this shape,” says architect Shaun Killa.
Opened in February 2022, the building is an iconic addition to Dubai’s already dramatic skyline, which includes the sailshaped Burj Al Arab and the Burj Khalifa, the tallest building in the world. These modern, globally recognizable structures have made a name for Dubai’s architecture, but the story of Dubai’s urban landscape goes back much further. “Often the story is that since the 2000s it’s been a place of gleaming skyscrapers,” says architect and writer Todd Reisz, author of Showpiece City: How Architecture Made Dubai.
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Siddharth Siva for TIMEShaun Killa, design partner at Killa Design, at the Museum of the Future on July 27
But the creative fusion seen in the architecture of structures like Killa’s Museum of the Future goes deeper. “I think what has had the most influence on the city is the fact that it’s an entrepôt, a port city,” says Reisz. “It’s a place of exchange and inbetweenness, where not only things and people come in and out, but so do ideas. ” That exchange of ideas has led to some of the world’s most ambitious architectural projects—in which Killa has played an outsize role.
Killa first arrived in Dubai from South Africa in 1998, joining architecture firm Atkins, where he worked on the Burj Al Arab—one of Dubai’s most famous buildings, which sits on an artificial island and is shaped like the sail of a yacht. “For an architect coming from Cape Town, the scale of the buildings was so much bigger,” Killa says of Dubai. “If you’re used to smaller projects, it’s quite a challenge to overcome that scale. ” Killa went on to work on other major projects in Dubai such as the Dubai Opera, the Address Boulevard, and the Almas Tower, the tallest building in Dubai at the time.
Killa launched his own architecture studio, Killa Design, in 2015, with a desire to make futuristic buildings that combine engineering innovation and technology. Sustainability is also a driving force. For the Bahrain World Trade Center (BWTC), completed in 2008, Killa worked with windtunnel and bridge specialists to create a building that is made up of two wing-shaped structures with three 30-m wind turbines suspended between them.
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