: How ‘Cinderella’ lost its original feminist edge in the hands of men writers #IndiaNEWS In the words of its publicity department, Andrew Lloyd Webber’s new production of Cinderella offers audiences

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How ‘Cinderella’ lost its original feminist edge in the hands of men writers #IndiaNEWS
In the words of its publicity department, Andrew Lloyd Webber’s new production of Cinderella offers audiences nothing less than “a complete reinvention of the classic fairy-tale�. Written by Emerald Fennell (Oscar-nominated for Promising Young Women), the production promises a feminist revision of the classic fairy tale, updating the well-known story to reflect contemporary attitudes towards gender.But Cinderella has always been a feminist text. You might have heard of figures like Charles Perrault, the Brothers Grimm and Walt Disney, each playing a key role in popularising the folk story for a new generation. But behind their versions of the classic fairytale lies an untold story of female storytellers like Marie-Catherine D’Aulnoy and the Comtesse de Murat.Before the Grimms, these pioneering women were drawn to Cinderella not because they felt the story needed updating or revising, but because they were attracted by the culture that birthed it – a storytelling network created by and for women.Cinderella’s originsCinderella began its life as a folk tale, passed orally from household to household. The earliest recorded copy dates back to China in 850-860. This version of the story probably entered into European society by the women working on the great Silk Road.At a time when only men could be writers or artists, women used folk tales as a means of expressing their creativity. Female labourers and housewives passed the stories...Read more

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